Wednesday, June 28, 2017

"Not even a world war stopped this artist"


Georgia O’Keeffe, Santa Fe, LOOK, 1960

Via The Santa Fe Reporter
June 28, 2017,
By Maria Egolf-Romero, Alex De Vore


This Friday, a diverse collection of images in the exhibit Tony Vaccaro: From War To Beauty at the Monroe Gallery of Photography gives Santa Feans a glimpse into the life of the 94-year-old photographer from scenes of World War II to commercial fashion shots, and beyond.

This artist’s lens has captured some of the most famous humans ever—think Sophia Loren, Pablo Picasso and Marilyn Monroe. But some of his first forays into photography were spent documenting World War II. Drafted at 21 years old, Vaccaro carried a 35-mm camera through the trenches of Europe and used innovative techniques to develop his film: Patiently waiting for nightfall, the artist-soldier used the tools available to him in the middle of a war. “I would go over the ruins of a village and try to locate where a camera shop might have been,” he says. “So, in the ruins I could find developer and the things which you need.” Chemicals in hand, Vaccaro used helmets as developing trays; developer, water, hypo and more water to rinse; four helmets in succession in the pitch black. “From Normandy to Berlin, that’s how I developed my pictures,” he tells SFR.

Vaccaro had a long and illustrious career in photography after the war as well, including time working for magazines like Life, Harper’s Bazaar and Newsweek. His work took him to amazing places like the Nile River in Egypt and to photograph fabled architect Frank Lloyd Wright.

But which photo stands out to Vaccaro as his crowning achievement? Georgia O’Keeffe, he says. He asked the painter to take her work outdoors. “It’s one of the great photographs of my life, yes—I have it right in front of me—she’s in profile, and all you have is black, her face and then the great color of that painting,” he says. “The greatest [memory] was Georgia O’Keeffe, and coming to Santa Fe, and it was just Georgia and Tony for about a week or more. It was superb, really.” (Maria Egolf-Romero)

Opening Reception 5 pm Friday, June 30
Free 
Monroe Gallery of Photography, 112 Don Gaspar Ave.
992-0800

Screening 3:45 pm Saturday July 1.
Free.
Center for Contemporary Arts Cinematheque, 1050 Old Pecos Trail 
(Seating is limited, RSVP Required)  982-1338



Sunday, June 4, 2017

A Day Without News

The Without News profile picture the Newseum is asking people to download and use Monday.
(Courtesy Newseum)



Via WTOP

WASHINGTON — The Newseum will look very different Monday as part of an annual campaign called “Without News.”

“It’s a day when we black out the front pages of the newspapers that we display here at the Newseum, and also on our Today’s Front Pages website,” the museum’s Sonya Gavankar told WTOP.

She said the idea is to reflect on what the world would be like without the people who bring us the news.

“It’s an important time for us to really talk about the crisis of journalists in peril, and also the attacks on freedom of the press, not only in this country, but also around the world,” says Gavankar.

Supporters are asked to use #WithoutNews on social media, and download a special profile picture from the Newseum website.

Also Monday, at 10 a.m., the Newseum will rededicate its Journalists Memorial, adding the names of 14 members of the media who died on the job in 2016.

The ceremony is free and open to the public with advance registration, or you can watch it live online.

The event will be held on the anniversary of the death of NPR photojournalist David Gilkey, who was killed by the Taliban while covering the war in Afghanistan.

Several items belonging to Gilkey will go on display at the museum, including a camera lens that was hit by a rubber bullet as Gilkey documented clashes between Palestinian demonstrators and Israeli soldiers in the West Bank.

Friday, June 2, 2017

SAVE THE DATES JUNE 30/JULY 1: TONY VACCARO IN SANTA FE


Kiss of Liberation: Sergeant Gene Costanzo kneels to kiss a little girl during spontaneous celebrations in the main square of the town of St. Briac, France, August 14, 1944



94-year Old Tony Vaccaro travels to Santa Fe for screening of documentary and exhibit  


Santa Fe, NM -- Monroe Gallery of Photography is honored to announce a major exhibition of 50photographs by Tony Vaccaro. The exhibit opens with a public reception for Tony Vaccaro on Friday, June 30 from 5 – 7 PM. The exhibit continues through September 17.  

Monroe Gallery will sponsor a free screening of  HBO Films' “Under Fire: The Untold Story of Private First Class Tony Vaccaro” at CCA on Saturday, July 1, starting at 3:45 pm. The screening will be followed by a Q & A with Tony Vaccaro moderated by former senior editor and reporter for LIFE magazine, Richard “Dick” Stolley. (Seating is limited, RSVP required to Monroe Gallery by June 28.)

The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old and he was raised by an uncaring aunt. When World War II broke out, the American Ambassador in Rome ordered Tony to return to the States. He settled in with his sisters in New Rochelle, NY where he joined his high school camera club.

A year later, at the age of 21, Tony was drafted into the war, and by the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days, Tony fought on the front lines of the war. He entered Germany in December 1944, a private in the Intelligence Platoon, tasked with going behind enemy lines at night.

 After the war, Tony remained in Germany to photograph the rebuilding of the country for Stars And Stripes magazine. Returning to the US in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Look, Life, Harper’s Bazaar, Town and Country, Newsweek, and many more. Tony went on to become one the most sought after photographers of his day, photographing everyone from Marilyn Monroe and Sophia Loren to Pablo Picasso and Frank Lloyd Wright. He visited Georgia O’Keefe in Abiquiu in 1960 on assignment for LOOK magazine.

Georgia O'Keeffe, Abiquiu, New Mexico, 1960


Now 94, Tony still carries a camera and puts in six or seven hours without a break; creating prints in his darkroom and identifying jobs for his staff. Tony has won numerous honors and awards,  including the Art Director’s Gold Medal (New York City, 1963), The World Press Photo Gold Medal (The Hague, 1969), The Legion of Honor (Paris, 1994), The Medal of Honor (Luxembourg, 2002), Das Verdienstkreuz (Berlin, 2004), and the Minerva d’Oro (Pescara, 2014).


Tony Vaccaro


Since retiring in 1982, Tony has been exhibited over 250 times and has published or been the subject of ten books and two major films. In 2014, the Tony Vaccaro Museum  was inaugurated in Bonefro (Italy). Tony’s photographs are in numerous private and public collections including The Metropolitan Museum in New York, The National Portrait Gallery in Washington, DC, the Centre Pompidou in Paris, and the Library of Congress in Washington.