This Spring, AIPAD’s Photography Show Returns in Full Force

 Via Surface Magazine

Dec. 1, 2023

It goes without saying that one of the pandemic’s effects has been a lingering disruption of the art world: over the past few years, galleries, artists, and even the industry’s flagship fairs have grappled with the challenges posed by the black swan event of the century. But slowly, the industry is righting itself, and for some, the quest is no longer just to make it through another year—or day—but to recommit to serving artists and collectors in impactful, future-facing ways. The Association for International Photography and Art Dealers’ (AIPAD) Photography Show is one such organization, led by executive director Lydia Melamed Johnson, cautiously emerged from the pandemic years with its 2022 edition.

Before returning to the ornate, Gothic Revival halls of its previous home at the Park Avenue Armory, the fair staged more intimate editions at Midtown’s Center 415. “We ensured the demand and supply was still present,” she told Surface of the decision to let the fair find its footing before returning uptown. “Following a fantastic edition in 2023, we knew the organization was ready to once again grow and inhabit such a distinct space.” From April 25-28, 2024, the fair will stage its first edition back in the Armory’s halls.

In the following interview, Melamed Johnson tells Surface about key themes shaping photography today, including championing women behind the lens, and the Black experience in America. She also shares how the Park Avenue Armory will impact the experiences of collectors and exhibiting galleries, and how fellow leaders at ADAA, the Winter Show, and Paris Photo have shaped the Photography Show’s renewed vision.

Tell us about the significance of the return of the show to the Park Avenue Armory. What drove the decision to return?

In Herzog & de Meuron’s book about the ongoing restoration project at the Park Avenue Armory, a quote by Jaques Herzog spoke to why this building has such an enduring legacy and why we are excited to juxtapose cutting-edge, contemporary photography within this Gothic Revival venue. “The foremost families of New York society celebrated themselves there. In the period rooms, you walk into sacred territory. The rooms are the creations of the best designers that were to be had in those days.”

AIPAD’s board of directors and I feel that it is in this space, with its renovations by some of the best designers of our age, like Herzog, that we can truly exhibit the power of photography through the ages and place our chosen art form alongside great design and scale.

How does the Armory better serve fair-goers and exhibitors?

Its location in the heart of New York City with close proximity to some of the world’s most important art institutions makes the Armory an ideal location for an art fair that celebrates the full and encyclopedic arc of photography. The scale is also great, as it’s not an overwhelming, unending space but an intimate, grand building that allows the viewer time to see everything inside without being swallowed by outsized rooms.

The Photography Show seems to see itself as being on the cusp of a new era. Tell us about some key exhibitors who encapsulate that.

AIPAD could not embark on a new era without the tremendous support and encouragement from our member galleries, many of which have been with us for decades. A great example is Edwynn Houk Gallery, who will be showing a self-portrait by Ilse Bing. Female portraiture and the evolution of women’s presence—both behind and in front of the camera—has been a big theme in photography recently, and we’re excited to have Houk further exploring this relationship in classic photography.

A direct correlation with our new management is the Associate Membership program that launched at the beginning of 2023. Next year’s edition will showcase four of our Associate Members, including The Hulett Collection of Tulsa and Assembly of Houston. We always welcome a few, select non-member galleries to the main sector, and are looking forward to seeing new presentations by galleries like RocioSantaCruz of Spain and Ellephant of Canada.

Tell me about some of the prevailing themes of this year’s fair, and the works, photographers, and exhibiting galleries that embody them.

The big themes in photography now are the female perspectives behind the camera and the interaction with both technology and the viewer. This is exemplified by the Domestic Demise and Anonymous Women series by Patty Carroll, the recent winner of the BBA Photography Prize. The series will be on view at Catherine Couturier’s booth, where the artist’s subjects melt into domestic spaces with an absurdity that calls out what’s expected of the feminine.

The Black experience in America continues to be a major arc in current scholarship and collecting. This will be exemplified with a presentation in Arnika Dawkins’ booth of works by Oye Diran, Ervin A. Johnson, Delphine Fawundu, Barbara DuMetz,, and Builder Levy that highlight Black beauty and its stark and moving evolution.

Socioeconomic and activist causes have also come to the fore. Marshall Gallery of Santa Monica, a first time AIPAD exhibitor, will feature Alex Turner’s Blind River series, looking at the U.S./Mexico border in Arizona and dissecting how contested spaces can influence the surrounding environment. This will be showcased alongside Cody Cobb, who utilizes artificial lighting and cutting-edge textured UV printing to create 3D topographic works of other-worldly and nocturnal landscapes.

It’s a really exciting time to see women leaders in photography, and, more broadly, art fairs right now. Were there any fellow leaders from across the industry whose feedback and advice has shaped your renewed vision for the Photography Show?

Absolutely! I’m privileged to have worked with and been able to turn to many industry-leading women for collaboration and advice, each of whom is a constant inspiration and motivation to continue improving our flagship fair and this organization. From Florence Bourgeois of Paris Photo to Maureen Bray at ADAA, who has been kind enough to share her counsel on sustainability at the venue and within her organization, and Helen Allen from The Winter Show, who has been a mentor and was instrumental in our move back. Within AIPAD itself, much of the propulsion for the evolution of the organization and the fair have been our deep well of female founders and gallerists, such as Yancey Richardson, Caroline Wall of Robert Mann, Arnika Dawkins, Andra Russek, Augusta Edwards, and Marina Pellegrini of Galeria Vasari

The Photography Show’s 2024 Exhibitors include:

°CLAIRbyKahn | Zurich, CH

19th Century Rare Book & Photograph Shop | New York, NY

Arnika Dawkins Gallery | Atlanta, GA

Assembly | Houston, TX

Augusta Edwards Fine Art | London, UK

Baudoin Lebon | Paris, FR

BILDHALLE | Zurich, CH | Amsterdam, NL

Bruce Silverstein Gallery | New York, NY

Candela Gallery | Richmond, VA

Catherine Couturier Gallery | Houston, TX

Cavalier Gallery | New York, NY | Greenwich, CT | Nantucket, MA | Palm Beach, FL 12. Charles Isaacs Photographs, Inc. | New York, NY

CLAMP | New York, NY

Contemporary Works/Vintage Works | Chalfont, PA

Daniel / Oliver Gallery | Brooklyn, NY

Danziger Gallery | New York, NY

Deborah Bell Photographs | New York, NY

Edwynn Houk Gallery | New York, NY

ELLEPHANT | Montreal, CAN

Etherton Gallery | Tucson, AZ

Fisheye Gallery | Paris, FR | Arles, FR

Foto Relevance | Houston, TX

Galerie Clémentine de la Féronnière | Paris, FR

Galerie Esther Woerdehoff | Paris, FR

Galerie Johannes Faber | Vienna, AT

Galerie Olivier Waltman | Paris, FR

Galerie SIT DOWN | Paris, FR

Galerie XII | Santa Monica, CA

Gallery 270 | Bergen, NJ

Gitterman Gallery | New York, NY

Grob Gallery | Geneva, CH

HackelBury Fine Art | London, UK

Hans P. Kraus, Jr. Inc. | New York, NY

Higher Pictures | Brooklyn, NY

Holden Luntz Gallery | Palm Beach, FL

Howard Greenberg Gallery | New York, NY

IBASHO | Antwerp, BE

Ilaria Quadrani Fine Arts | New York, NY

Ippodo Gallery | New York, NY

Jackson Fine Art | Atlanta, GA

jdc Fine Art | San Diego, CA42. Joseph Bellows Gallery | Santa Monica, CA

Keith de Lellis Gallery | New York, NY

La Galerie de l’Instant | Paris, FR

Laurence Miller Gallery | New York, NY

Les Douches la Galerie | Paris, FR

Magnum Photos Gallery | Paris, FR | London, UK

Marshall Gallery | Los Angeles, CA

Michael Hoppen Gallery | London, UK

Michael Shapiro Photographs | Westport, CT

MIYAKO YOSHINAGA | New York, NY

MOMENTUM | Miami, FL

Monroe Gallery of Photography | Santa Fe, NM

Nailya Alexander Gallery | New York, NY

Obscura Gallery | Santa Fe, NM

PACI contemporary | Brescia, IT

Paul M. Hertzmann, Inc. | San Francisco, CA

Peter Fetterman Gallery | Los Angeles, CA

Photo Discovery | Paris, FR

RocíoSantaCruz | Barcelona, ES

Robert Klein Gallery | Boston, MA

Robert Koch Gallery | San Francisco, CA

Robert Mann Gallery | New York, NY

Scheinbaum & Russek LTD | Santa Fe, NM

Scott Nichols Gallery | Sonoma, CA

Staley-Wise Gallery | New York, NY

Stephen Bulger Gallery | Toronto, CA

Stephen Daiter Gallery | Chicago, IL

The Hulett Collection | Tulsa, OK

The Third Gallery Aya | Osaka, JPN

Throckmorton Fine Art | New York, NY

Todd Webb Archive | Portland, ME

Toluca Fine Art | Paris, FR

Vasari | Buenos Aires, ARG

Von Lintel Gallery | Santa Monica, CA

Weinstein Hammons Gallery | Minneapolis, MN

Yancey Richardson Gallery | New York, NY

Monroe Gallery of Photography at the 2023 AIPAD Photography Show

Top Ten Galleries Every Photographer Should Visit

April 27, 2011


Top Ten Galleries Every Photographer Should Visit

Via The Photo Life
Written by Rachel LaCour Niesen

Call me old school. Go ahead, it’s true. I love seeing photographs in galleries. Not the galleries confined to a computer. I’m talking about the ones with walls.

There’s just something magical about stepping into a gallery and approaching large photographs hanging around you. It’s like meeting a kindred spirit for the first time; by standing face-to-face, you have a chance to savor their subtle nuances, to get lost in the rich hues of their eyes. Above all, you feel comfortable exploring, discovering and learning.

Sometimes, my palms sweat as I walk into a favorite gallery and glimpse a new exhibit. Rounding the corner of Canal and Chartres in New Orleans, I instinctively look up, toward the worn wooden sign and bold red door marking the entrance to A Gallery for Fine Photography. It was the first real photography gallery I visited, when I was a high school student discovering my passion for photojournalism. When I’m in New Orleans, A Gallery is my first stop. The space always draws me in, like the magnetic force of first love.

When I view photographs in a gallery, I don’t just see them. I experience them. It’s like full immersion in another culture, and it can’t be matched by a computer.

For years, I’ve been visiting galleries, cataloging my favorites. Here are my must-see galleries for photographers. I hope you’ll have a chance to stop by each of them and get lost for awhile. Please share your favorite galleries in the comments section. I look forward to finding some new places to visit!

1. A Gallery for Fine Photography, New Orleans, LA

Located in an historic 19th-century building at 241 Chartres in New Orleans’ French Quarter, A Gallery houses a dazzling collection of historic photographs spanning the 19th and 20th centuries. Set up like a living room, or informal Parisian Salon, the gallery immediately makes visitors feel at ease. Poke around, walk upstairs, and stare at images of Ernest Hemingway and Louis Armstrong. The singular vision and unforgettable personality of gallery owner, Joshua Mann Pailet, are evident around every corner. That’s precisely why this space feels like home to me.

2. Monroe Gallery, Santa Fe, NM

 

Located just off the historic city center, The Plaza, the Monroe Gallery specializes in classic black-and-white photography with an emphasis on humanist and photojournalist imagery. From Robert Capa’s pioneering photojournalism to Joe McNally’s contemporary coverage of New York city firefighters, the Monroe gallery is a living, breathing archive of photojournalism. Plus, the owners are casual, friendly and willing to strike up a conversation about their passion for photography.


3. Polka Galerie, Paris, France

The Polka Galerie is located in my favorite Parisian neighborhood, The Marais, and is actually part of three outlets dedicated to photography. The physical space is supplemented by a beautiful, quarterly magazine and a website showcasing exhibits. The founder and owner of Polka is Alain Genestar, former editor-in-chief of Paris Match, which is one of the most powerful weekly magazines in the France and is renowed for its use of photographs.

4. Howard Greenberg Gallery, New York, NY

Formerly a photographer and founder of The Center for Photography in Woodstock in 1977, Howard Greenberg is one of a small group of gallerists, curators and historians responsible for the creation and development of the modern market for photography. The Howard Greenberg Gallery, which was founded in 1981, was the first to consistently exhibit photojournalism and ‘street’ photography, which are now accepted as important components of photographic art.

5. International Center for Photography, New York, NY

Nestled in the heart of New York City, the International Center of Photography is dedicated to exploring the photographic medium through dynamic exhibitions of historical and contemporary work. More than a gallery, ICP is a haven for education and scholarship. ICP also holds the famed “Mexican Suitcase,” which comprises a rare collection of rediscovered Spanish Civil War negatives by Capa, Chim, and Taro.

6. The George Eastman House, Rochester, NY

The world-renknowed George Eastman House combines the world’s leading collections of photography and film with the stately style of the Colonial Revival mansion that George Eastman called home from 1905 to 1932. This is the world’s oldest photography museum and one of the world’s oldest film archives, which originally opened to the public in 1949.

7. Fahey/Klein Gallery, Los Angeles, CA

The Fahey/Klein Gallery is devoted to the enhancement of the public’s appreciation of photography through the exhibition and sale of 20th Century and Contemporary Fine Art Photography. Since the gallery’s inception, exhibitions have embraced a diverse range photographers from Edward Weston to Berenice Abbott; Man Ray to Henri Cartier-Bresson.

8. Robert Klein Gallery, Boston, MA

Founded in 1980, the Robert Klein Gallery is devoted exclusively to fine art photography. The gallery deals with established photographers of the 19th and 20th centuries including those who are considered masters such as: Muybridge, Berenice Abbott, Ansel Adams, Irving Penn, Brassai, Cartier Bresson, Helen Levitt, Yousuf Karsh, Man Ray, Alfred Stieglitz, Edward Weston and Walker Evans. The exhibition schedule is also designed to introduce new photographers to the public. Recently exhibited contemporary artists include: Julie Blackmon, Bill Jacobson, Jeff Brouws, Cig Harvey, Laura Letinsky, Wendy Burton and Chip Hooper.

9. Photo Eye Gallery, Santa Fe, NM

If you’re into collecting photo books, especially rare and out-of-print volumes, don’t miss Photo Eye! Simply put, it’s a treasure trove of photo books. You’ll be consistently surprised every time you step into this gallery a few blocks off Canyon Road. Dealing in contemporary photography, the gallery represents both internationally renowned and emerging artists.

10. Peter Fetterman, Santa Monica, CA

Peter Fetterman set up his first gallery over 20 years ago. He was a pioneer tenant of Bergamot Station, the Santa Monica Center of the Arts, when it opened in 1994. His gallery has one of the largest inventories of classic 20th Century photography. Diverse holdings include work by Henri Cartier-Bresson, Sebastião Salgado, Ansel Adams, Paul Caponigro, Willy Ronis, and André Kerstez. Peter and his colleagues are committed to promote awareness and appreciation of photography in an intimate, user-friendly environment.


Link to article and comments here.

A FOND FAREWELL TO THE CAMERA OBSCURA GALLERY AND BEST WISHES TO HAL GOULD

Hal Gould, Dir., Camera Obscura Gallery, 1988 © 2010 Kurt Edward Fishback

The Camera Obscura Gallery will be closing its doors at the end of April, 2011. The following is a schedule of the concluding events:

March 4-March 19:
We will hold a silent auction of selected works from the gallery collection in the upstairs galleries; in conjunction, paintings by Mollie Uhl Eaton will be on display in the downstairs galleries. Bids for the auction will close at 4:30 PM on March 19th. After March 4, you can go to the "auction" link on our website home page for a list of pieces included, registration details and updates.

Please join us for a special First Friday launch of the Auction on March 4 from 5 to 9PM

March 25-April 30:
Two retrospective exhibitions:
Hal D. Gould in Gallery 1 and the upstairs galleries, and Loretta Young-Gautier in Gallery 2. A reception for the artists will be held on Friday, March 25th from 5:30 to 8:30 PM.

Saturday, April 30
We will host an open house and final farewell to our friends, patrons and volunteers, from 2:30 to 5:30 PM.

The Camera Obscura Gallery has been a cornerstone of the photographic arts in Colorado. Read more history here.

"Owning The Camera Obscura Gallery has been a tremendous experience for 48 years. I'd like to close with a special thank you to all our valued patrons and friends for helping to make a dream come true. Good bye and happy trails."

Hal Gould

PREVIEW: PHOTO LA OPENS TONIGHT

La Lettre de la Photographie
January 13, 2011

PHOTO LA

One of our favorite daily photography sources has a feature article on the Photo LA Fair, which celebrates its 20th Anniversary Edition tonight.

Photo LA celebrates its 20th Anniversary as the longest running art fair west of New York and the largest photo-based art fair in the country, drawing over 10,000 attendees. It brings together photography dealers from around the globe, displaying the finest contemporary photography, video and multi-media installations along with masterworks from the 19th century.


It has been essential in transforming the art/ photography landscape of Los Angeles by increasing public awareness and acceptance and the inclusion of photo-based art in almost all contemporary galleries and museum exhibitions.

artLA was created in 2004 as a public event bringing together a mix of national and international galleries, artists, collectors and curators for a visual dialogue on the current art scene. Its ongoing commitment to presenting the most challenging art being produced today has led to the creation of artLA projects, an ongoing citywide program of dynamic and innovative installations, exhibitions, seminars and conversations with established and cutting- edge artists in all media.

Photo l.a. XX and the launch of artLA projects, is a prelude to a much larger artLA 2011 that will align with the start of the Getty’s Pacific Standard Time Initiative and Art Platform, Los Angeles, a new art fair in the fall of 2011 created by the team that produces the Armory Show.

Among the guests who are going to give a lecture, you wil find:

Amy Arbus, William Eggleston, Bill Hunt, Jessica Lange, Arthur Tress, Stephen Shore, Manfred Heiting, Weston Naef, Arthur Ollman, Wallis Annenberg

The director of the Festival is Stephen Cohen.

LA’s Longest Running Art Fair Joins artLA projects

Thursday, January 13, 2011 through Monday, January 17, 2011

Here are the photography with the gallery presented:

1. Mario Giacomelli, « untitled » ca. 1970’s-1980’s, gelatin silver print, 7 1/16 × 9 10/16 inches, courtesy of Gallery 19th/21st

http://gallery19th21st.free.fr/
Gallery 19th/21st
9 Little Harbor Road – Guilford, CT 06437 – USA


2. Graham Nash, “Joni,” from “Love, Graham Nash,” courtesy of 21st Editions

3. Herman Leonard, “Listen: Herman Leonard and his World of Jazz,” courtesy of 21st Editions.

4. Herman Leonard, “Ella Fitzgerald” from “Listen: Herman Leonard and his World of Jazz,” courtesy of 21st Editions

5. Jerry Uelsmann, from “Moth and Bonelight,” courtesy of 21st Editions

6. Michael Kenna, from Huangshan: Poems from the T’ang Dynasty, courtesy of 21st Editions

http://www.21steditions.com/
21st Editions
9 New Venture Drive, #1 – South Dennis, MA, 02669 – USA

7. Debra Holt, “Untitled,” C-Print, 60×40 inches, courtesy of Abba Fine Art.
http://www.abbafineart.com/
Abba Fine Art
233 NW 36th Street Miami, FL 33127

8. Brooke Shaden, “Dream State,” 35×35 inches, courtesy of Joanne Artman Gallery.

9. Denis Peterson, “Gloucester Road,” Acrylic, Urethane & Oils, 30×40 inches, courtesy of Joanne Artman Gallery.

10. Natalie “Miss Aniela” Dybszi, “The Smothering,” 35×35 inches, courtesy of JoAnne Artman Gallery.
http://www.joanneartmangallery.com/
Joanne Artman Gallery
326 N Coast Highway, Laguna Beach, CA 92651

11. Pete Eckert, “Stations,” Centro Series, courtesy of Blind Photographers Guild.

12. Alice Wingwall, “Rumba at Dendur,” Metropolitan Museum of Art, New York, Color Photography, 24×30 inches, courtesy of Blind Photographers Guild.

13. Bruce Hall, “Prize Fighter,” courtesy of Blind Photographers Guild.

Blind Photographers Guild, 421 26th Street, Sacramento, CA 95816 USA

14. Bill Mattick, “Untitled,” from the “Mendota Water” Series, 2009, C-Print, 32×40 inches, courtesy of Corden
Potts Gallery.

15. Beth Kientzle, “On the Edge,” courtesy of Corden
Potts Gallery.
http://www.cordenpottsgallery.com/

Corden
Potts Gallery.
49 Geary Street, Ste. 211, San Francisco, CA 94108 – USA

16. Andre Kertesz, “Woman Holding Sign,” 1940s, courtesy of Stephen Daiter Gallery.

17. Elliott Erwitt, “Venice, Italy,” 1949, courtesy of Stephen Daiter Gallery.

18. Wynn Bullock, “Untitled,” 1950s, courtesy of Stephen Daiter Gallery.
http://www.stephendaitergallery.com/
Stephen Daiter Gallery
230 W. Superior, Chicago, IL 60654 – USA

19. David Trautrimas, “Mnemonic Doppelganger,” 2009, archival digital print, courtesy of dnj Gallery.

20. David Trautrimas, “Storm Crown Mechanism,” 2009, archival digital print, courtesy of dnj Gallery.

21. William Eggleston, “Untitled,” courtesy of dnj Gallery.

22. Nan Goldin, CZ and Max, courtesy of dnj Gallery.
http://www.dnjgallery.net/
Bergamot Station, 2525 Michigan Avenue, Suite J1, Santa Monica, CA 90404

23. Rob Carter, “Cala, Fuili II, Sardinia,” from the “Traveling Still” series, courtesy of Eyestorm.

24. Rob Carter, from the “Traveling Still” series, courtesy of Eyestorm.
http://www.eyestorm.com/

Eyestorm
London
27 Hill Street
W1J 5LP
(+44) 0845 643 2001

25. Allen Frame, “Hillary and Josh,” Punta del Este, Uraguay, 2008, courtesy of Gitterman Gallery.
http://www.gittermangallery.com/html/home.asp
Gitterman Gallery
170 East 75th Street
New York, NY 10021

26. Frank Maedler, “L 7,” from the series “UT” (Silber), courtesy of Gallery J.J. Heckenhauer.

27. Peter Neusser, “Wolfsburg,” courtesy of Gallery J.J. Heckenhauer.

28. Mauren Brodbeck, “Juliette #5,” courtesy of Gallery J.J. Heckenhauer.
http://www.heckenhauer.net/ga/en/index.html
Gallery J.J. Heckenhauer Holzmarkt 5 
72070 Tübingen
Germany

29. Dezhong Wei, from the series “Days Full of Inspirations,” courtesy of Henan Pan-View Image Culture Media Co., Ltd.

30. Shilong Wang, from the series “Days Full of Inspirations,” courtesy of Henan Pan-View Image Culture Media Co., Ltd.

31. Yong Luo, from the series “City of View,” 2005, courtesy of Henan Pan-View Image Culture Media Co., Ltd.

32. Yong Luo, from the series “City of View,” 2005, courtesy of Henan Pan-View Image Culture Media Co., Ltd.
http://www.pan-view.com/
Henan Pan-View Image Culture Media Co., Ltd.C-702 Dongjun International #1212, E Hanghai Road

33. Edward Westen, “MGM,” courtesy of Paul M. Hertzman, Inc.
http://www.hertzmann.net/pages/
PO Box 40447
San Francisco, CA 94140-0448, USA

34. Bob Poe, “Cover,” 2009, I-Phone photo, 54 × 90 inches, courtesy of the Los Angeles Art Association
Gallery 825.

35. Niku Kashef, “The House of Life and Death,” 2008, C-Print, 36×36 inches, courtesy of the Los Angeles Art Association
Gallery 825.

http://www.laaa.org/
Gallery 825
825 N. La Cienega Blvd. Los Angeles, CA 90069

36. Jens Liebchen, “Sunset Boulevard and Gower Street, Los Angeles,” 2010, Pigmented ink on Hahnemuehle Paper, 14×11 inches, courtesy of The Lapis Press
Schaden.com.

37. Oliver Sieber, “Arnold,” Pigmented ink on Hahnemuehle Paper, 11×14 inches, courtesy of The Lapis Press
Schaden.com
http://www.lapispress.com/
http://www.schaden.com/ Schaden.com
Buchhandlung GmbH
Albertusstr. 4
50667 Köln

38. Carrie Mae Weems, “Untitled,” from the “Kitchen Table” series, 1990, courtesy of Light Work.

39. Elijah Gowen, “Cup,” courtesy of Light Work

40. Scott Conarroe, “Trailer Park, Wendover, UT,” 2008, courtesy of Light Work.
http://www.lightwork.org/
Robert B. Menschel Media Center
316 Waverly Avenue
Syracuse, New York 13244
USA

41. Alfred Eisenstaedt, “Marilyn Monroe,” 1953, copyright Time, Inc., courtesy of Gallery M.
http://www.gallerym.com/default.cfm
Gallery M.
180 Cook St, Suite 101, Denver, CO 80206

42. Stephen Wilkes, “Washington Square, Day into Night, New York,” 2009, 40×30 inches, courtesy of Monroe Gallery.

43. Bill Eppridge, "Robert F. Kennedy campaigns with various aides and friends

44. Steve Schapiro, “Segregationists, St. Augustine, Florida,” 1964

45. Stephen Wilkes, “Central Park, Day into Night,”
http://www.monroegallery.com/

Monroe Gallery
112 Don Gaspar Santa Fe, NM 87501 – USA

46. Ju Duoqi, “Liberty Leading the Vegetables,” 2008, courtesy of M.R. Gallery
http://mrgalery.com.cn/
M.R. Gallery
No.D06, Mid Second Street, 798 Art District, Chaoyang District, 100015 Beijing, China

47. Norman Kulkin, “Untitled,” courtesy of Select Vernacular Photographs.
http://www.pixidiom.com/
727 N. Fuller Avenue, Los Angeles, CA 90046 – USA

48. Tom Chambers, “Caging the Songbird,” from the “Dreaming in Reverse” series, 20×20 inches, courtesy of photo-eye Gallery.

49. Tom Chambers, “Presumptuous Guests,” from the “Dreaming in Reverse” series, courtesy of photo-eye Gallery.
http://photoeye.com/
photo-eye Gallery.
376, Garcia Street, Santa Fe, NM 87501 – USA

50. Joey L., “Portrait of Saragolea,” from the “Abyssinia” series, courtesy of photokunst.

51. Joey L., “Portrait of Saragolea,” from the “Abyssinia” series, courtesy of photokunst.
http://www.photokunst.com/
Photokunst
725 Argyle Avenue, Friday Harbor, WA 98250 – USA

52. Marian Drew, “Emu with yellow canary,” 2010, courtesy of Queensland Centre for Photography.
http://www.qcp.org.au/
Corner of Russel and Cordelia Street, South Brisbane QLD 4101 Australia

53. Juan Fontanive, “Livelinesse 2,” 2010, Edition 14, courtesy of Riflemaker: London.
http://www.riflemakerorg/
Riflemaker
79 Beak Street, London, W1F 9SU – UK

54. John Baldessari, “Blue Boy (with yellow boy: one with Hawaiin tie, one in dark), Three Color Lithograph,” 1989, courtesy of Barry Singer Gallery.
http://www.singergallery.com/
Barry Singer Gallery.
7 Western Avenue, Petaluma, CA 94952 – USA

55. Christopher Clark and Virginie Pougnaud, “Aurore Eveillee,” archival digital lambda print, 43.3×43.3 inches, courtesy of Skotia Gallery
http://www.skotiagallery.com/
Skotia Gallery
150 W. Marcy Street, Ste 103, Santa Fe, NM 87501 – USA

56. Kelsy Waggaman, “When Was The Last Time You Made Love To Yourself,” archival pigment print 19×28.5 inches, courtesy of Skotia Gallery.
http://www.skotiagallery.com/

57. Robert Frank, “Cadillac Showroom,” 1955, Vintage gelatin silver print, 8.5×13 inches, signed and stamped, courtesy of Joel Soroka Gallery.
http://www.joelsorokagallery.com/
Joel Soroka Gallery.
400 E. Hyman Avenue, Aspen, CO 81611 – USA

58. Ralph Steiner, “Lollipop,” 1920s/c.1981, 4.5×3.5 inches, gelatin silver print, courtesy of Robert Tat Gallery.
http://www.roberttat.com/
Robert Tat Gallery.
49 Geary Street, # 211, San Francisco, CA 94108 – USA

59. Ma Kang, “FORBIDDEN CITY: Policemen before the Tian’anmen Gate-tower,” 2008, Inkjet print, courtesy of OFOTO Gallery.
http://www.ofoto-gallery.com/
OFOTO Gallery
2F, Building 13, 50 Mogashan Road, Shanghai 200060 – China

60. Luo Yongjin, “Kezhi Garden,” 2002, Injet print, courtesy of OFOTO Gallery.
http://www.ofoto-gallery.com/

Links:
http://www.photola.com/

ART SANTA FE OPENS

Monroe Gallery of Photograph Booth # 25

Thank you to all who visited us during last night's ART Santa Fe opening! We we very honored to welcome to our booth New Mexico Secretary of Cultural Affairs Stuart Ashman, who was accompanying a representative from the Cuban Minister of Cultural Affairs; Santa Fe Mayor David Coss; as well as several of our friends and collectors from across the United States.

This year Art Santa Fe celebrates its ten-year anniversary. Art Santa Fe is pleased to once again present this well-established event to the international contemporary art community as well as Santa Fe’s own art world, now the second largest art market in the country. As in the past, we expect exhibitors and visitors from across the U.S. and around the world. Monroe Gallery of Photography is located in Booth #25. This year we are exhibiting new photographs by Eric Smith from his series "The Ruins of Detroit"; new work from Stephen Wilkes' "Day Into Night" collection; a very rare large format print of Ernst Haas' iconic "Albuquerque (Route 66), 1969", and several other special selections.

Monroe Gallery is featuring a large-format print by Bill Eppridge of "Jackie Kennedy Christens the "Lafayette", Groton, CT, 1962" at Art Santa Fe, concurrent with his solo exhibition at the gallery

ART Santa Fe was the feature cover arcticle in today's PASATIEMPO, and  Art Santa Fe Director Charlotte Jackson said: "We're going to have 3 photo galleries, which I am really excited about. Monroe Gallery has been with us for many years. They've been a great supporter of ART Santa Fe, and they've become part of our 'family', if you will.... This year Verve has joined us and then Photo-Eye. I think we are going to have a very nice mix of photography".

Watch for updated posts from the Fair here over the weekend.