Showing posts with label conflict photography. Show all posts
Showing posts with label conflict photography. Show all posts

Monday, May 30, 2022

New York Times: From Sandy Hook to Uvalde, the Violent Images Never Seen

 Via The New York Times

May 30, 2022


Frustrated Americans ask whether the release of graphic photos of gun violence would lead to better policy. But which photos, and who decides?

"For a culture so steeped in violence, we spend a lot of time preventing anyone from actually seeing that violence. Something else is going on here, and I’m not sure it’s just that we’re trying to be sensitive.”

--Nina Berman, a documentary photographer, filmmaker and Columbia journalism professor.


Full article here.

Tuesday, September 13, 2016

Victims of Armed Conflict in Colombia the Focus Photography Exhibition in Santa Fe





Santa Fe, N.M.—September 7 , 2016—The Photography Department at Santa Fe University of Art and Design (SFUAD) is proud to announce an exhibition entitled “Drifting Away/Río Abajo” by Colombian visual artist Erika Diettes. The exhibition, which is part of SFUAD’s Artists for Positive Social Change™ series, opens Sept. 16 with a reception from 5 to 7 p.m. in the Atrium Gallery at the Marion Center for Photographic Arts. Diettes will speak on campus Sept. 17 from 4 to 5 p.m. in Tipton Hall.

Diettes’s work honors the victims of armed conflict between the government, guerillas (FARC) and drug lords in Colombia. In this series, images of artifacts of the disappeared––a shirt, a shoe or a pair of eyeglasses––are photographed in water and printed on huge plates of glass that are framed and placed on the ground like large-scale tombstones.

In conjunction with the exhibition, the university will host a conversation between Diettes and Kate Ware, curator of photography at the New Mexico Museum of Art, on Sept. 17 from 4 to 5 p.m. in Tipton Hall on the SFUAD campus. Diettes will then sign copies of her book Memento Mori: Testament to Life. The event is free and open to the public.

Diettes is a Colombian visual artist and social anthropologist whose work focuses on the deeply personal yet universal effects of political violence and injustice. Her work is part of the permanent collection of major museums, including the Museo Nacional in Bogatá and Museo de Antioquia in Colombia and the Museum of Fine Arts, Houston. It has been featured at the Fotofest Biennial, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, and in an exhibit at CENTER, Santa Fe, N.M.

The Atrium Gallery at the Marion Center for Photographic Arts and Tipton Hall are located on the SFUAD campus at 1600 St. Michael’s Drive. The exhibition can be viewed weekdays between 9:30 a.m. and 4:30 p.m. through January 14.

Launched in 2011, Artists for Positive Social Change explores a specific theme relevant to society and the work of artists who push the creative boundaries through a university-wide series of events, courses, lectures and performances.

About SFUAD’s Photography Department
The Photography Department at Santa Fe University of Art and Design offers a comprehensive education in the theory, techniques, history and ethics of photography. This base, integrated with a strong foundation in other visual and liberal arts, provides students with the knowledge and perspective they need to pursue photography as a creative professional. The program, housed in the Anne and John Marion Center for Photographic Arts, encompasses both analog and digital technologies, giving students the chance to work in exemplary traditional and alternative process darkrooms and a state-of-the-art digital facility. Students also have access to the Beaumont and Nancy Newhall Library, an outstanding resource on the history, aesthetics and technology of photography.

More details here.

About Santa Fe University of Art and Design:

Santa Fe University of Art and Design is an accredited institution located in Santa Fe, New Mexico, one of the world’s leading centers for art and design. The university offers degrees in business, contemporary music, creative writing, digital arts, graphic design, film, performing arts, photography and studio art. Faculty members are practicing artists who teach students in small groups, following a unique interdisciplinary curriculum that combines hands-on experience with core theory and prepares graduates to become well-rounded, creative, problem-solving professionals. SFUAD boasts an international student body and opportunities to study abroad, encouraging students to develop a global perspective on the arts. Santa Fe University of Art and Design is accredited by The Higher Learning Commission

Tuesday, September 9, 2014

Live-Stream tonight: After James Foley- Covering Conflict When Journalists Are Targets







Via Columbia School of Journalism


Tuesday, Sep. 9, 2014, 7:00pm
         
Dean Steve Coll leads a panel to discuss the current risks, rewards, and inner workings of conflict reporting in the aftermath of reporters James Foley and Steven Sotloff's tragic murders.


Speakers include Reuters columnist and former New York Times reporter David Rohde, held captive for seven months by the Taliban before he escaped; New York Times foreign correspondent Rukmini Callimachi, previously the West Africa bureau chief for The Associated Press; Phil Balboni, GlobalPost CEO and co-founder, who spent two years fighting for Foley's release; Nicole Tung, a freelance conflict photographer and Foley friend who first discovered him missing; and Joel Simon, executive director of the Committee to Protect Journalists. This event is sponsored by Columbia Journalism School, the Dart Center for Journalism and Trauma, the Committee to Protect Journalists and the Overseas Press Club of America.


Seating will be on a first-come, first-served basis. This event will be live streamed.

Friday, November 9, 2012

WAR/PHOTOGRAPHY Opens Veterans Day, Sunday, November 11, in Houston



WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath
Museum of Fine Arts, Houston  


Admission on opening day is free to all visitors, in recognition of Veterans Day; admission remains free to active-duty military and veterans through the run of the exhibition

WAR/PHOTOGRAPHY travels nationally to Annenberg Space for Photography, Los Angeles; Corcoran Gallery of Art, Washington, DC; and Brooklyn Museum through February 2014

Houston—September 2012—On November 11, 2012, the Museum of Fine Arts, Houston, debuts an unprecedented exhibition exploring the experience of war through the eyes of photographers. WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath features nearly 500 objects, including photographs, books, magazines, albums and photographic equipment. The photographs were made by more than 280 photographers, from 28 nations, who have covered conflict on six continents over 165 years, from the Mexican-American War of 1846 through present-day conflicts.

Read more here.



Related:

"People don't think this war has any impact on Americans? Well here it is," Nina Berman says of the image of a somber bride staring blankly, unsmiling at the camera, her war-ravaged groom alongside her, his head down.

CNN: Classic andHistoric Portraits of War


Financial Times: War and Peace (with slide show)


NY Daily News: War photography exhibit debuts in Houston museum


 KPRC TV Houston  Exhibition showcases war photos (with video)


Houston Chronicle: "It's a subject that has deep impact, and because most of us don't experience war first-hand, photographs are our collective memory of it"
 

The New York Times: "Battlefield Images, Taking No Prisoners"


Photo District News: War Correspondence


Modern Art Notes Podcast features the new Museum of Fine Arts Houston exhibition “War Photography: Images of Armed Conflict and its Aftermath.


MFAH debuts unprecedented exhibit of war photography

Time LightBox: "War/Photography, on view from Nov. 11 to Feb. 3, is a magnificent, wide-ranging exhibition at the Museum of Fine Arts, Houston"

Wednesday, November 7, 2012

"Every photograph is a product of the photographer’s experiences in their entire life"






In case you missed this important interview with photojournalist Ben Lowy by Jonathan Blaustein on A Photo Editor, we have posted the links below. A must read.


I caught up with Ben Lowy in August. He’s a busy man, juggling family and personal projects with a super-charged career. In the last year alone, he was in Libya, on Jon Stewart, won the photojournalist of the year award from the ICP, and had his book, “Iraq Perspectives” published by the Center for Documentary Studies at Duke.



Ben Lowy Interview – Part 1

"I’m an open book. I’ve got nothing to hide. I was pretty fucked up by things that happened in 2007. And I felt really guilty about surviving."

Ben Lowy Interview – Part 2


"Photography, regardless if it’s photojournalism, or some sort of esoteric contemporary art, you’re putting a bit of your soul in it. That soul is what makes you take a picture at that instant. It’s what makes you compose, to wait for things to happen. For serendipity.

Every photograph is a product of the photographer’s experiences in their entire life. It’s everything that comes together that makes them want to take that picture at that instant. Otherwise, we would all be robots."


Via APhotoEditor

Friday, September 7, 2012

Panel Discussion | Shifting Sands: Conflict Photojournalism and Ethics



featuring Marcus Bleasdale and Stephen Mayes
Tuesday, September 18, 2012, 6:30pm
Aperture
547 West 27th Street, 4th Floor
New York, NY 10001

What are the ethical responsibilities of a photojournalist who chooses to cover conflict? Can he or she be truly neutral, or do they have a responsibility to reflect the moral and political imbalances of the situations they report on?


Democratic Republic of the Congo, 2003
© Marcus Bleasdale/VII

The panel will explore the ethical pressures on photojournalists in conflict and will consider their accountability for the positions they take and the pictures they make, how they make them, where they place the work and the voice they attach to it. The discussion will consider the responsibilities and consequences, intended and otherwise, of reporting on conflict.


Marcus Bleasdale – Photographer, VII
Jason Cone – Communications Director, Doctors Without Borders USA
Philip Gourevitch – Journalist, The New Yorker
Thomas Keenan – Director of the Human Rights Project, Bard College
Kira Pollack – Director of Photography, Time Magazine
Stephen Mayes, Moderator – Managing Director, VII


More here.